600‑year‑old New‑Year paintings move off walls and into young people’s hearts

For local people in Weifang, New‑Year paintings mean door‑pasted door gods, Kitchen‑God prints for household stoves and money‑tree prints hung on walls during the Spring Festival. For six centuries, carving knives and pear‑wood blocks in Yangjiabu have borne witness to generations’ simple wishes for safety and prosperity. Today, young inheritors are breathing new life into this ancient craft, bringing it onto phone cases and canvas bags, and into young people’s daily lives.

For local people in Weifang, New‑Year paintings mean door‑pasted door gods, Kitchen‑God prints for household stoves and money‑tree prints hung on walls during the Spring Festival. For six centuries, carving knives and pear‑wood blocks in Yangjiabu have borne witness to generations’ simple wishes for safety and prosperity. Today, young inheritors are breathing new life into this ancient craft, bringing it onto phone cases and canvas bags, and into young people’s daily lives.

For local people in Weifang, New‑Year paintings mean door‑pasted door gods, Kitchen‑God prints for household stoves and money‑tree prints hung on walls during the Spring Festival. For six centuries, carving knives and pear‑wood blocks in Yangjiabu have borne witness to generations’ simple wishes for safety and prosperity. Today, young inheritors are breathing new life into this ancient craft, bringing it onto phone cases and canvas bags, and into young people’s daily lives.

For local people in Weifang, New‑Year paintings mean door‑pasted door gods, Kitchen‑God prints for household stoves and money‑tree prints hung on walls during the Spring Festival. For six centuries, carving knives and pear‑wood blocks in Yangjiabu have borne witness to generations’ simple wishes for safety and prosperity. Today, young inheritors are breathing new life into this ancient craft, bringing it onto phone cases and canvas bags, and into young people’s daily lives.

For local people in Weifang, New‑Year paintings mean door‑pasted door gods, Kitchen‑God prints for household stoves and money‑tree prints hung on walls during the Spring Festival. For six centuries, carving knives and pear‑wood blocks in Yangjiabu have borne witness to generations’ simple wishes for safety and prosperity. Today, young inheritors are breathing new life into this ancient craft, bringing it onto phone cases and canvas bags, and into young people’s daily lives.

For local people in Weifang, New‑Year paintings mean door‑pasted door gods, Kitchen‑God prints for household stoves and money‑tree prints hung on walls during the Spring Festival. For six centuries, carving knives and pear‑wood blocks in Yangjiabu have borne witness to generations’ simple wishes for safety and prosperity. Today, young inheritors are breathing new life into this ancient craft, bringing it onto phone cases and canvas bags, and into young people’s daily lives.

For local people in Weifang, New‑Year paintings mean door‑pasted door gods, Kitchen‑God prints for household stoves and money‑tree prints hung on walls during the Spring Festival. For six centuries, carving knives and pear‑wood blocks in Yangjiabu have borne witness to generations’ simple wishes for safety and prosperity. Today, young inheritors are breathing new life into this ancient craft, bringing it onto phone cases and canvas bags, and into young people’s daily lives.

For local people in Weifang, New‑Year paintings mean door‑pasted door gods, Kitchen‑God prints for household stoves and money‑tree prints hung on walls during the Spring Festival. For six centuries, carving knives and pear‑wood blocks in Yangjiabu have borne witness to generations’ simple wishes for safety and prosperity. Today, young inheritors are breathing new life into this ancient craft, bringing it onto phone cases and canvas bags, and into young people’s daily lives.